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DTSTART;TZID=America/New_York:20251207T130000
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SUMMARY:Marly Music Presents | St. Pete Baroque
DESCRIPTION:In conjunction with In Caravaggio’s Light\, the MFA is pleased to present a special performance by St. Pete Baroque\, a dynamic local ensemble devoted to reviving the spirit\, spontaneity\, and emotional richness of Baroque music. This program will blend exquisite musical performance with engaging historical context\, giving audiences insight into the social\, cultural\, and artistic currents that shaped the Baroque period.   \nFrom well-known masterworks to lesser-known compositions\, the program showcases the improvisatory flair\, ornate style\, and expressive power that defined music from 1600 – 1750\, the same era that produced the dramatic\, emotionally charged paintings featured in the special exhibition. Between pieces\, the musicians will offer brief reflections on the Baroque era’s aesthetic values\, compositional innovations\, and the musical equivalents of chiaroscuro\, further connecting the music to the art on view.    \nMarly Music Presents | St. Pete Baroque \nSunday\, December 7\, 2025\n1:00 PM–2:00 PM\nMuseum of Fine Arts\, St. Petersburg\nMarly Room\n$15 for MFA Members; $35 for Not-Yet-Members \nTICKETS \n\nPROGRAM \nViola d’Amore Concerto in D Major RV 392–Antonio Vivaldi (1678-1741) \nI. Allegro  \nII. Largo   \nIII. Allegro  \nAmarilli Mia Bella (1601)–Giulio Caccini (1550-1618) \nSonata detta la Moderna (1613)–Salamone Rossi (1570-1630) \nSì dolce è’l tormento–(1624)–Claudio Monteverdi (1567-1643) \nChiaconna–Antonio Bertali (1605-1669) \nCaprice No. 1 for Solo Cello–Joseph Dall’Abaco (1710-1805) \nQuanto Magis Generosa from Judith Triumphans (1716)–Antonio VIvaldi (1678\, 1741). \nProgram Subject to Change \nFEATURING: \n \nHein Jung\, Soprano/Featured Guest Artist \nAcclaimed for her “superior vocal value” (Boston Globe)\, Soprano Hein Jung has performed in major cities throughout the US and Korea. These venues include Opera Tampa\, Tanglewood Music Festival\, San Francisco Opera Merola Program\, Milwaukee Symphony\, Madison Opera\, St. Petersburg Opera\, Bel Canto Chorus\, Tampa Oratorios Singers. Equally beloved on the concert stage\, Ms. Jung has performed recitals on such prominent series as Artist Series of Sarasota\, University of Wisconsin Madison\, University of Florida\, University of Illinois at Urbana-Champaign\, Se-Jong Art Hall and American Liszt Society Annual Festival. Last season (2015/16)\, Ms. Jung made her debut with The Florida Orchestra in both the Master Work Series and Coffee Concert Series. In the upcoming 2016-2017 season\, she will be featured in concert with the Sarasota Concert Association\, at the prestigious Kumho Recital Series in Seoul\, South Korea\, International Congress of Voice Teachers in Stockholm\, Sweden. Ms. Jung also looks forward to the release of her second CD\, performing works by Rachmaninov with Centaur Records. Her recording of Songs of Franz Liszt\, released by Centaur Records last year\, was praised by American Record Guide: “Hein Jung has the perfect voice-terrific ease in her upper register and a silvery clear tone.” \nRecognized as a versatile performer\, Ms. Jung has delighted audiences in such varied repertoire as Zerbinetta(Ariadne auf Naxos)\, Die Königin der Nacht(Die Zauberflöte)\, Blanche(Dialogue des Carmelites)\, Romilda(Serse)\, Lucia(Rape ofLucretia)\, Sophie(Der Rosenkavalier)\, and Amina(La Sonnambula). On the concert stage\, she has been heard as soloist in Messiah(Handel)\,The C minor Mass(Mozart)\, Lord Nelson Mass(Haydn)\, Gloria(Poulenc)\, Cantata BWV. 51 and 21(Bach)\, Bachianas Brazileiras No. 5(Villa-Lobos)\, Chants D’Auvergne(Canteloube) and Ch’io mi scordi di te\, K.505(Mozart). \nPraised as an advocate of contemporary music\, Ms. Jung performed both the lead roles in the world premiere of Rage d’amour\, commissioned by Tanglewood\, as well as the lead role of Princess Pocachin in The Red Silk Thread\, commissioned by University of Florida and Curtis Phillips Center for the Performing Arts. \nMs. Jung has won top prizes throughout her career. These include the Metropolitan Opera National Council Upper Midwest Region Audition (1st place in Wisconsin District and 2nd place in Upper Midwest Region)\, Irma Cooper International Competition (2nd place)\, Schubert Competition (2nd place) and Chicago Bel Canto Competition (2nd place). \n \nDan Urbanowicz\, Viola d’Amore/Artistic Director   \nAs a historical performance musician\, Dan has been a featured guest artist with the Colorado Chamber Players where his composition “La Folia” for two violas d’amore was premiered in 2019. Additionally Dan has appeared with the Tafelmusik Baroque Summer Institute\, Piccolo Spoleto\, The College of Charleston\, and as a guest lecturer/recitalist at Augusta University.  Apart from baroque endeavors Dan is currently a violist in the Sarasota Orchestra and a former member of the Florida Orchestra. Urbanowicz has most recently served as guest associate principal violist with the Vermont Symphony on their “Made in Vermont” tour. Urbanowicz has also appeared with the Jacksonville Symphony\, the New World Symphony at Carnegie Hall\, the Boston Philharmonic Orchestra\, the Atlantic Symphony\, Gulfshore Opera\, the Canton Symphony Orchestra\, the Firelands Orchestra\, and the Plymouth Philharmonic. Urbanowicz has served as principal violist of the Augusta Symphony\, Charlottesville Opera\, Gulfshore Opera\, Schleswig-Holstein Musik Festival in Germany\, the Pacific Music Festival in Japan\, and Chautauqua Music School Festival Orchestra. His principal teachers include Martha Katz and Jeffrey Irvine. Mr Urbanowicz plays on a 2017 Robert Clemens Viola. Urbanowicz’s viola d’amore is from the 18th century and is of unknown origin. Urbanowicz holds a master’s degree from the New England Conservatory of Music and a bachelor’s degree from the Cleveland Institute of Music. \n \nSarah Shellman\, Baroque Violin  \nSarah Shellman is currently principal second violin with The Florida Orchestra; she joined the ensemble as a section violinist in 2002. She last appeared as a soloist on the TFO Masterworks series in March 2011\, performing Thomas Ades’ Violin Concerto “Concentric Paths.” She’s also been featured on the Coffee series programs performing “Winter” and “Spring” from Vivaldi’s The Four Seasons and Bach’s Concerto for Two Violins in D minor with Nancy Chang.\nDuring the summer\, Shellman performs as a member of the orchestra at the Cabrillo Festival of Contemporary Music (Santa Cruz\, California). She is an advocate for the performance of works by living composers as well as for the expansion of diversity\, equity\, and inclusion initiatives within the classical music profession.\nShellman graduated from the Oberlin Conservatory of Music in 1998 with a bachelor’s degree in music and the University of Houston in 2000 with a master’s degree in music. While living in Houston\, she played with the Houston Grand Opera\, Houston Ballet\, and as a freelance musician. In addition to her work on the modern violin\, she has also performed with several early music ensembles as a violinist\, violist\, and mezzo-soprano.  \n  \nScott Kluksdahl\, Baroque Cello  \nCellist Scott Kluksdahl has performed for nearly four decades as chamber musician\, recitalist and soloist in the United States\, Europe\, Israel\, and Central and South America.  \nFollowing a daring New York debut program of cutting-edge modern works at Carnegie’s Weill Recital Hall\, Strings Magazine identified Scott Kluksdahl as “a simply superb cellist\, playing with consummate technical ease\, a beautiful sound\, total conviction\, authority and dedication to the music.”  Scott Kluksdahl’s devotion to the works of current composers is widely regarded\, and he is known for his close affiliations with Nicolas Bacri\, Richard Brodhead\, David Del Tredici\, Robert Helps\, Gunther Schuller\, Augusta Read Thomas and Richard Wernick\, whose works he has commissioned\, studied\, and recorded.  He has also collaborated with Benjamin C.S. Boyle\, Tamar Diesendruck\, Philip Lasser\, Eric Moe\, Laura Elise Schwendinger and Scott Wheeler\, and he has worked closely with American legends Leonard Bernstein\, Elliott Carter\, Andrew Inbrie\, Donald Martino\, and Ralph Shapey.  As cello soloist with the Boston Pops Orchestra\, Kluksdahl premiered Philip Lasser’s Vocalise for Cello and Orchestra at Symphony Hall\, and he has made acclaimed recordings of many of these composers’ works on the CRI\, Centaur\, Triton\, Pierian\, Nimbus\, Crystal\, and Albany labels.    \nScott Kluksdahl presented his solo debut with the San Francisco Symphony\, and since then he has performed a broad gamut of his instrument’s repertory throughout the entire United States and in the major musical centers of New York City\, Boston\, Chicago\, Cleveland\, Philadelphia\, Pittsburgh\, San Francisco and Washington\, D.C.   Kluksdahl has been heard in Lincoln Center’s Alice Tully Hall\, Merkin Concert Hall\, Kennedy Center\, Dame Myra Hess Series\, Phillips Collection and Tanglewood Music Festival\, and continues to perform the complete cycle of Bach Suites for cello\, notably at the Oregon and Philadelphia Bach Festivals.  He has been a frequent a guest chamber artist at the Martha’s Vineyard Chamber Music Society\, Music from Salem\, Killington Music Festival\, Craftsbury Chamber Players\, Lancaster Music Festival\, and Apple Hill Center for Chamber Music.  Scott Kluksdahl was a founding member of the Lions Gate Trio for two decades.  He also performed as cellist of the Veronika String Quartet\, and he has been a guest artist with numerous ensembles including DaPonte\, Miami and Pacifica String Quartets.  \nScott Kluksdahl serves as Professor of Cello at the University of South Florida\, where he is a designated Theodore and Venette Askounes-Ashford Distinguished Scholar\, and he has presented master classes in such institutions as Eastman School of Music\, Indiana University\, Boston Conservatory\, Northwestern University\, and San Francisco Conservatory of Music.  He teaches summers at the Brancaleoni International and the ARIA International Summer Festivals\, as well as at the Cello Seminar at the Brown Farm in Salem\, New York.  Mr. Kluksdahl’s commitment to teaching prompted the renowned cellist Zara Nelsova to remark\, “It is rare to find a cellist who is equally at home as a concert artist as well as a great pedagogue. In my opinion Scott Kluksdahl has one of the great talents of his generation.”  \n  \nBrent Douglas\, Harpsichord/Organ  \nRecipient of the prestigious “Classical Musician of the Year” award presented by Creative Loafing Magazine Tampa Bay in 2016\, Brent Douglas stands as an accomplished and passionate conductor with an extensive background in symphonic\, operatic\, and choral genres. His illustrious career has taken him across the United States and overseas\, collaborating with esteemed organizations like the London Classical Players\, Berlin Sinfonietta\, and the National Women’s Chorus of Cuba. Notable positions held include Director of Orchestra and Chorus at Eckerd College for a remarkable nine years\, Assistant Conductor for the Tampa Bay Symphony for two seasons\, and Chorus Master with Gulfshore Opera and Opera Tampa. Furthermore\, he has conducted captivating performances at renowned festivals and events such as the Mediterranean Opera Studio and Festival in Sicily\, the Vienna Summer Music Festival\, the Eastern Music Festival in North Carolina\, and the Venice Symphony in Florida. In 2017\, Douglas’s international career soared with a ground-breaking “blacklight” performance of “The Magic Flute” at the Düsseldorf Lyric Opera in Germany alongside the Vivazza Orchestra. With his extraordinary talent\, unique concert design philosophy\, and commitment to diverse programming\, he has left audiences inspired and garnered acclaim from both critics and fellow musicians.    \nBeyond conducting\, Douglas is a remarkable pianist\, harpsichordist\, and organist\, lending his exceptional skills to performances with renowned orchestras such as The Florida Orchestra and St. Pete Baroque. He has also showcased his musical prowess with esteemed ensembles like The Springfield Symphony in Missouri\, The Venice Symphony\, The Sarasota Orchestra\, and The Naples Philharmonic Orchestra. As an opera pianist and vocal coach\, he has formed partnerships with acclaimed organizations including St. Petersburg Opera\, Opera Tampa\, the Springfield Regional Opera in Missouri\, and the Savannah Voice Festival in Georgia.  \nIn addition to his remarkable performing career\, Douglas has made significant contributions to education and the performing arts administration field. During his tenure at Eckerd College\, he not only taught choir\, orchestra\, piano\, and organ but also led successful concert tours and initiated an innovative choral music commission project. His commitment to music education is further evident through his involvement in various adjudication panels\, including the St. Petersburg Opera Guild College Competition\, the Charlotte Symphony Young Professional Competition\, and the Florida Vocal Association Music Performance Assessments. Notably\, he served as the Managing Director of the Palladium Theater for five years\, securing grants from the Pinellas County Arts Council and Music Teachers National Association for his educational initiatives and a self-founded chamber music series.  \nDouglas began his studies at Missouri State University and holds a Bachelor of Piano Performance and a Master of Conducting from the University of South Florida\, where he studied under  Dr. William Wiedrich and Dr. James Bass (UCLA). He has refined his skills through training with renowned conductors such as Leonardo Catalanotto in Sicily\, Michael Francis of The Florida Orchestra\, Kenneth Kiesler at the University of Michigan\, and Diane Wittry of the Allentown Symphony.  \n \nYuan Yuan Wang\, Baroque Violin \nYuan-Yuan Wang performs with The Florida Orchestra as a tenured first violinist. She frequently performs with the Indianapolis Symphony Orchestra\, North Carolina Symphony Orchestra\, and the Baltimore Symphony Orchestra.  \nYuan-Yuan Wang\, holds a Doctor of Music degree in violin performance from Jacobs School of Music\, Indiana University Bloomington\, as well as  Masters of Music in violin performance. She received her Bachelor of Music degree from the Peabody Institute at Johns Hopkins University. Her major teachers included Alex Kerr\, Mark Kaplan\, Paul Biss\, Martin Beaver\, Misha Rosenker\, Keng-Yuen Tseng and John Mrill. Before arriving in the United States from China for high school\, she attended the Central Conservatory of Music in Beijing and Wuhan Conservatory.\nActive as a recitalist\, chamber musician\, and educator\, Yuan-Yuan Wang has also appeared in concerts\, while collaborating with principal musicians of The Florida Orchestra\, North Carolina Symphony Orchestra and faculty artists at the Indiana University Jacobs School of Music.  \n\nOrganized by Fondazione di Studi di Storia dell’Arte Roberto Longhi and Civita Mostre e Musei.
URL:https://mfastpete.org/event/marly-music-st-pete-baroque-12-7-25/
LOCATION:Museum of Fine Arts\, St. Petersburg\, 255 Beach Drive NE\, St. Petersburg\, FL\, 33701\, United States
CATEGORIES:Marly Music Series
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