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Spotlight Series | Framing within Art History
MFA Spotlight Series | Framing Art History with Casey Broker and Noah Cox
Join us in the Rococo Gallery as Casey Broker and Noah Cox direct our attention to something found in every art museum but not often recognized as a work of art – the frame. Frames come in all shapes, sizes, and colors and have existed in the history of art since Ancient Egypt. Over time, they have evolved in style and function, switched between artworks, been discarded, or been preserved. In this intimate conversation, we’ll learn more about the history of frames and discover how we can connect to the ones at the MFA.
MFA Spotlight Series | Framing Art History with Casey Broker and Noah Cox
Tuesday, April 1, 2025
11:00 AM–12:00 PM
FREE for MFA Members; Included with the cost of admission for Not-Yet Members
Registration required.
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ABOUT CASEY BROKER
Casey Broker is the Education Coordinator at the MFA. She earned her BFA degree from Florida Southern College as a Studio Art major with an Art History minor. While attending FSC, Casey took museum studies courses that fueled her interest in working within art museums. Her previous professional experience in art galleries and museums includes working at the AGB Museum of Art (formally the Polk Museum of Art), MAACM, the Lake Whales Arts Council, and the Tampa Museum of Art. Casey is also a local working artist who has exhibited works in St Petersburg, Lakeland, Sarasota, and other local, mid-Florida cities.
ABOUT NOAH COX
Noah Cox is the Research Associate for Museum Collections at the Museum of Fine Arts, St. Petersburg. His primary responsibility is to examine and study the museum’s permanent collection, with a special emphasis on provenance research. In addition to this research, he works with the curatorial team on auxiliary exhibitions and with the collections team to care for the art at the MFA.
Noah holds a BA in Art History from New College of Florida and an MA in the History of Art from the Courtauld Institute of Art. Before joining the MFA in 2023, he worked in exhibitions and public programming at Architecture Sarasota and interned at the Sarasota Art Museum. Recently, he completed the 2024 Nazi-Era Art Provenance Research Training Program through the Center for Art Collection Ethics (ACE) at the University of Denver.
